^ PDF Ebook The Roman Empire: Augustus to Hadrian (Translated Documents of Greece and Rome)From Brand: Cambridge University Press

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This is a collection of Greek and Latin inscriptions and papyri in English translation. They are all primary sources for our knowledge of the history of Rome from the first emperor, Augustus, to Hadrian. The theme of the present collection is the political and military activity of the Roman emperors to the period of Hadrian, the men who carried out their policies, the institutions of their administrations, the wars they conducted, the reaction of their subjects, the imperial ruler cult, their letters and orders. a second part is concerned with the society of the ordinary citizen in his daily life. Brief commentary and notes accompany the translations, making this book a collection of historical material to supplement the major literary sources such such as Tacitus, Seutonius, Dio, and others in the study of Roman imperial history.

• Sales Rank: #326686 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1988-07-29
• Original language: Ancient Greek
• Number of items: 1
• Dimensions: 8.98" h x .75" w x 5.98" l, .86 pounds
• Binding: Paperback
• 328 pages

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"...a valuable source book...." E. Earle Ellis, Southwestern Journal of Theology

Language Notes
Text: English, Latin (translation)

About the Author
Sherk is Professor of Classics at State University of New York at Buffalo.

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0 of 0 people found the following review helpful.
Ancient Roman Historical Compilation
By World
Great resource for individuals who want to delve deeper into ancient Roman history. Book translates historic ancient documents, grave markers, inscriptions, etc., giving a fuller understanding of the Roman army, empire, every day life, friendships, government, etc. I would definitely recommend this work

0 of 0 people found the following review helpful.
Good for Primary Sources.
By Miguel Angel
I used it for my School research; it has a good amount of Documents from all kinds; translated to English of course.
It also offers brief explanations to keep you on track.

There's a lot of variety but it has a limited time frame.

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~~ Free PDF The Philosophy of Mind: An Introduction, by Peter Smith, O. R. Jones

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This is a straightforward, elementary textbook for beginning students of philosophy. The general aim is to provide a clear introduction to the main issues arising in the philosophy of mind. Part I discusses the Cartesian dualist view which many find initially appealing, and contains a careful examination of arguments for and against. Part II introduces the broadly functionalist type of physicalism which has Aristotelian roots. This approach is developed to yield accounts of perception, action, belief and desire, and the emerging theory of the mind is compared at each stage with rival historical and contemporary views. In Part III the functionalist approach is further explored in giving analyses of sensation, thought and freedom of will. The discussions throughout are exceptionally clear, and the writing uncomplicated, to make available to the students a wealth of detailed argument in the philosophy of mind.

• Sales Rank: #2389742 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1986-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .67" w x 5.43" l, .90 pounds
• Binding: Paperback
• 304 pages

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' ... unusually good of its kind ... The book has an impressive range and at least two, sometimes three, contrasting theories of each phenomenon are given full exposition and discussion. The richness of debate is thereby very well conveyed, and the books' systematic and sympathetic discussions are exemplary.' The Times Literary Supplement

'This is not 'philosophy made easy'. It is a very clever book indeed.' The Times Higher Education Supplement

From the Back Cover
This is a straightforward, elementary textbook for beginning students of philosophy. The general aim is to provide a clear introduction to the main issues arising in the philosophy of mind.

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1 of 1 people found the following review helpful.
Good introductory book, if somewhat biased
By A Customer
This book offers a clear and well written introduction to a difficult topic. Reading it can be a rewarding experience as it explains the most important problems of the philosophy of mind with a clear language. The only problem that I could find in it is that it doesn't pursuit the consecuences of their functionalist theory in the last chapters; instead they try to give some "non-standard" definition of freedom, which is not at all clear or even near of the common concept of that word.

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* PDF Ebook Japanese Society: Tradition, Self, and the Social Order (Lewis Henry Morgan Lectures), by Robert J. Smith

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As the world's only major industrial society yet to emerge from outside the Western tradition, Japan has evolved into an industrial state very different from those of the West. Robert Smith argues that this difference is found not so much in organisational and institutional forms as in the Japanese view of the relationship of individuals to one another and to society as a whole. He traces the origin of this difference to the historical traditions of Japan, which rest on cultural premises quite unlike those of the Western world. His compelling and convincing analysis of contemporary Japanese society has far-reaching implications for our understanding of the nature of the modern industrial world.

• Sales Rank: #3447093 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1985-04-26
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .43" w x 5.51" l, .49 pounds
• Binding: Paperback
• 192 pages

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^ Get Free Ebook New Essays on Moby-Dick (The American Novel)From Brand: Cambridge University Press

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The American Novel series provides students of American literature with introductory critical guides to the great works of American fiction by giving details of the novel's composition, publication history and contemporary reception. The group of essays, each specially commissioned from a leading scholar in the field, examines the interpretative methods and prominent ideas on the text. There are also helpful guides to further reading. Specifically designed for undergraduates, the series will be a powerful resource for anyone engaged in the critical analysis of major American novels. This collection of essays on Moby-Dick reconnects Melville's great work with concerns that are central to readers in critical studies. Richard Brodhead introduces the volume with a discussion of the book's unique place in the canon of American literature. He then recounts the novel's history from its mixed reception in the mid-nineteenth century to its prevalent status as a classic. The five essays that follow focus on various aspects of the novel: its vision of nature, its drama of social alienation, its religious defiance, and its splendid variety of language.

• Sales Rank: #489328 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1986-11-28
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .43" w x 5.43" l, .57 pounds
• Binding: Paperback
• 192 pages

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• Used Book in Good Condition

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14 of 14 people found the following review helpful.
Excellent Read
By A Customer
The editor has collected some of the most thought provoking essays that gives the reader a good introductory taste of the numerous layers and complexities of Melville's genius. The essays presented help a modern reader appreciate Melville's weighty work and why many debate that Moby Dick is the "great American novel". If you have time to only read one text on MD, then this is no waste.
-Mac

2 of 2 people found the following review helpful.
A solid selection...
By Brian C.
Richard H. Brodhead has collected a solid set of essays on Moby-Dick that succeeds in examining the novel from various perspectives and increasing the reader's appreciation for Melville's complex novel. I will attempt to provide brief summaries of each essay to give the reader some taste of what they will get from this volume.

"Trying All Things: An Introduction to Moby-Dick" by Richard H. Brodhead

In his introduction Brodhead argues that Melville identifies literature with "epic, quest narrative, and heroic tragedy" (2) Melville manages to combine these genres in the figure of Ahab who rises to epic and heroic proportions and manages to "sum up some fact of human potential" (2) but ultimately succumbs to a tragic fate. However, Melville does not stay strictly within the limits of traditional epic or tragedy - his writing embraces "the full form of writing's expressive potential", all the way from Elizabethan soliloquy, to scientific treatise, to Calvinist sermon, to legal brief (4)

Brodhead makes a good point when he argues Melville sees the "most elemental human passion" not as "love, or ambition, or acquisitiveness, but something more like anxiety - anxiety, specifically, about the ground of our being, an anxiety that drives us…to keep worrying the question how the world is framed and governed" (4) This is ultimately the impelling force of the novel. Ahab and Ishmael are not driven by pure ambition or greed but by a desire to get to the bottom of the mystery of the world.

Brodhead also discusses the critical history of Moby-Dick and makes the interesting point that the revival of interest in Moby-Dick came at a time "When qualities like discontinuous or fragmented form, symbolic structure, stylistic thickness, and antitraditional experiment were established as literary values" (18) This goes to show that aesthetic standards are not eternal. They are not set in stone. They change through the ages and, as they change, works become reevaluated, and people become capable of appreciating what appeared merely mysterious before.

"The Mariner's Multiple Quest" by James McIntosh

McIntosh highlights the "fluidity of consciousness" found in the novel. The novel never presents any settled opinions but is rather driven by an endless seeking and questioning of the universe, there is no settled mood that is not eventually disrupted by its opposite. The novel expresses moments of mystic calm followed by violence. The novel also flirts with relativistic nihilism in its presentation of the different perspectives on "The Doubloon" but even nihilism is only a temporary resting place that eventually gives rise to continued seeking.

The novel is a Romantic quest narrative, where an external quest becomes the image of an internal quest, but, according to McIntosh, it is unique in being a "multiple, not a singular, quest" (29) Each character is on their own unique quest and the White Whale does not signify the same thing to everyone. McIntosh compares and contrasts Queequeg's quest with the quests of Pip, Ahab, Father Mapple, and Captain Bildad.

"Moby-Dick as Sacred Text" Lawrence Buell

Lawrence Buell points out that the "rise of the 'higher criticism' in biblical studies" around the time Melville was writing had two effects. Negatively, the higher criticism threatened to reduce the Bible to a "culture-bound, historical artifact subject to the same methods of interpretation and susceptible to the same errors…as any other ancient artifact" (55) Positively, "a less parochial and more creative understanding of the religious imagination…became possible, an affirmative reading of myth as the expression of spiritual archetypes informing not only the Bible but the scriptures of all cultures, and not only ancient texts but - at least potentially - the literature of one's own day as well" (56)

This new understanding of religious literature, as more akin to poetry, made it possible to conceive of poets as prophets and "Literature and scripture become interchangeable categories" (57) Buell argues that Melville's novel is a religious novel that is a part of this new myth-making process.

Buell argues there are two elements in Melville's novel that are in tension to some degree. There is often a comic note involved in Melville's religious imagery - for example, in Melville's description of the elephants praying by holding their trunks up to the sun - that undercuts the myth-making process with the possibility of solipsism, since, as Ishmael notes: "in gazing on such scenes, it is all in all what mood you are in" that determines how they are read (60) But, there is often high seriousness in Melville's myth-making and "the luminousness with which the mystery of Moby Dick has been invested" (61) It becomes possible to read Moby-Dick as a comic debunking of myth as fabrication or as a form of sacred scripture. Buell argues the latter reading is more persuasive "for dramatic reasons" (64)

Buell summarizes briefly Paul Ricouer's analysis of different forms of revelation. Prophetic revelation is based on a double author of speech. The prophet is God's mouthpiece and the words spoken by the prophet are really the words of God. Moby-Dick is not revelation in that sense. Ishmael never claims that God is inspiring the words he writes. However, there is also narrative revelation. What is "essential to narrative revelation…is the emphasis on the founding event or events as the imprint, mark, or trace of God's acts. Confession takes place through narration…God's mark is in history before speech" (65) God is present in the events of Moby-Dick and Ishmael merely narrates them as a witness to the divine event.

"Call Me Ishmael, or How to Make Double-Talk Speak" by Carolyn Porter

Carolyn Porter provides an excellent analysis of the role that Ishmael plays in Moby-Dick. Ishmael has to play many duel roles in the novel. Ishmael has to be both an outcast and a representative of human nature, he has to occupy the marginal space between the familiar and the unknown, and he has to speak "with the full authority of the culture whose authority he is out to subvert" (93) Melville has to walk a very fine line with Ishmael and it is a mark of his genius that he was so successful in creating a character that exists right on the line. If Ishmael veered too far in either direction the novel would become a very different novel.

If Ishmael was not an outcast to some degree, if he represented our quotidian selves entirely, we would be presented with a farce. Ishmael would be totally lost and out of place at sea. Perhaps we would see him trying to stick to his morning breakfast routine while the rocking ship knocked the bowls and plates off his table to comic effect. If, on the other hand, Ishmael was totally foreign, he could not represent our own human nature, he would be above and beyond us, or outside of us - like Ahab. Ahab represents a possibility of human nature but he does not represent human nature in its universality, whereas, Ishmael makes the feeling for the ocean seem "fundamental to human nature itself" (74)

Similarly, if Ishmael was not in some sense a representative of the culture whose authority he was out to subvert, our xenophobic defenses would go up, and Ishmael would seem aggressive, savage, and intolerant. Even though, as Porter argues, Ishmael "aims to undermine our most basic and fixed assumptions and beliefs" most readers find Ishmael to be "genial, tolerant, open-minded" (93-94) If Ishmael fell too far the other way, and simply represented our own culture, and not its subversion, then we would be presented with a novel about the strangeness and foreignness of other cultures in a way that would merely confirm us in the rightness of our own beliefs.

"Calvinist Earthquake: Moby-Dick and Religious Tradition by T. Walter Herbert, Jr.

T. Walter Herbert, Jr. sees Moby-Dick as a response to a rift that opened up in the religious landscape in the Nineteenth-century between Orthodox Calvinism and the liberals. The contradiction arises from two claims, 1) That the world is governed by Providence, 2) That God is just and respects the moral integrity of human beings. According to Herbert, Melville "sets forth a Calvinistic analysis of Ahab's moral strife in order to form a drama in which Calvin's God appears morally odious on liberal principles, yet in which liberal principles lose their validity as a description of religious truth" (128)

Ahab is the representative of this conflict. Ahab sees his injury at the hands of the White Whale as a punishment inflicted by God which he refuses to accept since, the doctrine of a God who punishes the entire human race for Adam's fall is a teaching that evokes "a divine monster ruthlessly violating the central principles of moral truth" (127) However, Ahab - and the entire novel - also undercut the liberal notion of a God who respects the moral integrity of humanity. The deist God of order is foreign to the revelation of Godhead - not as a "decorous city" but as the "ground on which the city stands, which reveals its strange hidden life when it moves" (113) - that underlies the novel.

"When is a Painting Most Like a Whale?: Ishmael, Moby-Dick, and the Sublime" by Bryan Wolf

Bryan Wolf's essay analyzes the notion of the sublime that is at work in Emerson's essay on Nature, Melville's novel, and American landscape painting. Wolf argues that the sublime in all three is not, as is often assumed, a loss of self in the unity of nature but, rather, the absorption of nature within the solipsism of the self. This process takes place through language. However, Melville is very careful to point out the limits and dangers of the sublime in that sense. The sublime is easily disrupted - by a precipitous fall from a mast-head or when Queequeg intrudes - and the result can be death. Those who forget the outside - and forget that writing, or the attempt to recover the world in speech, relies on an outside that can never be fully absorbed - risk falling to their death in their moment of ecstasy.

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!! Free Ebook Littlewood's Miscellany, by John E. Littlewood

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Academic life in Cambridge especially in Trinity College is viewed through the eyes of one of its greatest figures. Most of Professor Littlewood's earlier work is presented along with a wealth of new material.

• Sales Rank: #765364 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1986-11-28
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .47" w x 5.98" l, .60 pounds
• Binding: Paperback
• 212 pages

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• Used Book in Good Condition

Review
"Every line will delight lovers of mathematics, but even readers who have never had a mathematical thought will--if they love evidence of humane intelligence and wise wit--find here much to savor. A very special classic." SciTech Book News

From the Back Cover
This book, which includes most of the earlier work as well as much of the material Professor Littlewood collected after the publication of A Mathematician's Miscellany, allows us to see academic life in Cambridge, especially in Trinity College, through the eyes of one of its greatest figures.The general reader should, in most instances, have not trouble following the mathematical passages.

About the Author
Bela Bollobas has taught at Cambridge University's Department of Pure Maths and Mathematical Statistics for over 25 years and has been a fellow of Trinity College for 30 years. Since 1996, he has held the unique Chair of Excellence in the Department of Mathematical Sciences at the University of Memphis. Bollobas has previously written over 250 research papers in extremal and probabilistic combinatorics, functional analysis, probability theory, isoperimetric inequalities and polynomials of graphs.

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30 of 31 people found the following review helpful.
A celebration of the excitement and joy of doing mathematics
By Avinash K. Dixit
There has been a flood of recent books detailing the agony and even the mental illness of mathematicians. This book is a rare and refreshing exception. A collection of the popular writings of J. E. Littlewood, a leading mathematician of the twentieth century, it demonstrates and celebrates the intellectual excitement and even the joy of doing creative mathematics.

19 of 20 people found the following review helpful.
Gaiety of genius MIGHT be an understatement
By Suhaimi Ramly
Littlewood is the kind of historical scientific figure people look up to, not only because of his legacy in mathematical research but also for his towering intellectual reputation. I (shamelessly) admit here that I've read and reread this book so many times, each time picking up some nuances and details that Littlewood subtly convey between his lines. It is a glimpse into the mind of a genius. His style of writing is not out-of-fashion even many years after he put it on paper, probably in between replying to math letters from Hardy, and proving a theorem in analysis. Miscellany is nothing short than the last century's most incredible mathematical essay.

1 of 1 people found the following review helpful.
Littlewood's Miscellany
By Laszlo Kozma
"The surprising thing about this paper is that a man who could write it - would." The book contains many similar quips, more or less connected to mathematics or the process of doing mathematics. There are also many interesting and deep mathematical puzzles (some of them have become classics since the book was written), linguistic paradoxes, short anecdotes about mathematicians, amusing mathematical errors, unintentionally funny formulations from books or papers, references to contemporary results. The book is a collection of fragments assembled by Littlewood, refreshingly lacking any serious organization. Based on the 1953 "A Mathematician's Miscellany", the book has stood the test of time, the few parts that feel outdated do so only because of the attention to detail of the author that seems uncommon today.

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>> Download Ebook Sugar Plantations in the Formation of Brazilian Society: Bahia, 1550-1835 (Cambridge Latin American Studies), by Stuart B. Schwartz

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This study examines the history of the sugar economy and the peculiar development of plantation society over a three hundred year period in Bahia, a major sugar plantation zone and an important terminus of the Atlantic slave trade. Drawing on little-used archival sources, plantations accounts, and notarial records, Professor Schwartz has examined through both quantitative and qualitative methods the various groups that made up plantation society. While he devotes much attention to masters and slaves, he views slavery ultimately as part of a larger structure of social and economic relations. The peculiarities of sugar-making and the nature of plantation labour are used throughout the book as keys to an understanding of roles and relationships in plantation society. A comparative perspective is also employed, so that studies of slavery elsewhere in the Americas inform the analysis, while at many points direct comparisons of the Bahian case with other plantation societies are also made.

• Sales Rank: #1032045 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1986-01-31
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x 1.42" w x 5.98" l, 2.11 pounds
• Binding: Paperback
• 644 pages

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• Used Book in Good Condition

Review
'Sugar Plantation is a major contribution to our efforts to understand Bahia and its sugar and slaveholding system. It is required readin not only for specialists in Brazilian history, but for anyone interested in the question of slavery and race relations in the Americas.' Francis A. Dutra, Hispanic American Historical Review

'Clearly destined to become a classic in the field.' Eric Van Young, Agricultural History

About the Author
Stuart B. Schwartz is George Burton Adams Professor of History at Yale University. His books include All Can Be Saved (2008), Victors and Vanquished: Spanish and Nahua Views of the Conquest of Mexico (2000), The Cambridge History of the Native Peoples of the Americas: South America (1999), Implicit Understandings (1994), Slaves, Peasants, and Rebels (1992), Sugar Plantations in the Formation of Brazilian Society (1985), Early Latin America (1983), A Governor and His Image in Baroque Brazil (1979), and Sovereignty and Society in Colonial Brazil (1973). Professor Schwartz specializes in the history of colonial Latin America, especially Brazil, and the history of early modern expansion.

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2 of 2 people found the following review helpful.
classic of slave historiography in the Americas
By Melvin H. Pritchard
Professor Schwartz wrote a classic in the historiography of slavery in Brazil, if not the Americas. Anyone who is has a serious interest in this field, this monograph is a must read

1 of 2 people found the following review helpful.
Graduate Reading
By gade04
This book is long. Longer than Charles Gibson's Aztecs Under Spanish Rule. The book is about sugar plantations shaping Brazilian society. Schwartz discusses that plus a very detailed discussion of the sugar economy in general.

0 of 2 people found the following review helpful.
Sugar Plantations in the Formation of Brazilian Society
By Jill M Jozwiak
I ordered this book, which was fulfilled by Amazon and described as used-acceptable. I wasn't expecting the book to be in very good shape at all. To my surprise, it arrived in nearly perfect condition. Thanks Amazon for exceeding my expectations once again.

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# Ebook Download Elizabethan Stage Conventions and Modern Interpreters, by Alan C. Dessen

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Alan Dessen samples about four hundred manuscripts and printed plays to record the original staging conventions of the age of Shakespeare. After studying the stage properties, movements and configurations implicit in recurrent phrases and stage directions, he concludes that Elizabethan spectators, less concerned with realism than later generations, were used to receiving a kind of theatrical shorthand transmitted by the actors from the playwright. Professor Dessen both describes this shorthand (e.g. the use of nightgowns, boots and dishevelled hair) and draws attention to the implications of his findings for modern interpreters, addressing not only critics and teachers but also editors, actors and directors.

• Sales Rank: #2417696 in Books
• Brand: Brand: Cambridge University Press
• Published on: 1986-02-28
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .47" w x 5.43" l, .61 pounds
• Binding: Paperback
• 204 pages

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• Used Book in Good Condition

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'The work makes a useful contribution to both theatre history and dramatic criticism ... Dessen's kind of analysis offers an escape from the straitjacket of character criticism in particular for it will encourage the study of scenic form and thereby make students aware of all that is not 'personality'.' The Times Higher Education Supplement

' ... presented with vigorous clarity, his experience of modern productions demonstrates his concern with the continuing stage life of the plays he discusses.' The Times Literary Supplement

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0 of 0 people found the following review helpful.
Informative but not only for specialists.
By Brontina
Very informative, well written book. I bought it for a class on Shakespeare I am attending, but this book is appealing for anyone interested in the Elizabethan theater. It explains in a very accessible language the stage conventions of the Tudor time and provides an ample bibliography if you want to research the topic more.

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