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Ezra Pound: The Cantos (Landmarks of World Literature), by George Kearns
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Pound's 800 page Cantos, written over a period of more than fifty years (1917-1969), invites the reader to join the poet on a journey from darkness and despair towards light and positive activity. In this book, George Kearns addresses the reader approaching The Cantos for the first time. He examines the poem's aesthetic and political-ethical-didactic dimensions and shows that despite its complexity and the many objections which can be raised to its poetics and politics, its study can be greatly rewarding.
- Sales Rank: #2618839 in Books
- Color: Blue
- Published on: 1989-11-24
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .31" w x 5.08" l, .33 pounds
- Binding: Paperback
- 136 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Best introduction to Ezra Pound ever
By Babe in the Woods
Kearns is the best guide to Ezra Pound out there, even though this book was written awhile ago. He knows what you need to know to read the stuff and what you don't, and he makes the poetry come alive. There's a lot to get past with Pound -- the politics, the fragmentary style, the arcane references -- but with the influence of Chinese poetry coming to the fore now, and with the underlying total beauty and stay-w0th-you quality of the work itself, Pound deserves your close reading. If you like what you see here, read The Cantos with Kearns's Guide to the Selected Cantos in hand.
BookPerson
5 of 5 people found the following review helpful.
A masterpiece, quite simply
By Christelle N.
Agree with Pound's political views or not, this body of work is a masterpiece. Ezra Pound, the founder of the school of Imagisme, exhibits true mastery with poetical form, language and symbolism, writing in English, French, Chinese, Greek... this is an immense body of work with hundreds of poems to feast your mind on. This book changed my life, and I recommend it to anyone willing to invest the time to THINK about poetry and APPRECIATE the craftsmanship of what some call a madman and others, a master.
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